Alana thrives in both the technical and artistic nuances of her craft, approaching each project with precision, adaptability, and unwavering dedication. Her keen ear and meticulous attention to detail allow her to shape musical and sonic elements with precision, ensuring that music seamlessly integrates into the broader sonic tapestry of a film. Her recent projects include ‘Lord of the Rings: War of the Rohirrim’, ‘Dune: Part Two’, and ‘Avatar: The Way Of Water’.

Alana’s deep understanding of the technical aspects of post-production and recording—whether in orchestral scoring, ADR ad sound effects libraries or re-recording mixing—enables her to draw on a broad range of experience across sound departments, bringing versatility and insight to every stage of the process.

This interdisciplinary fluency enables her to anticipate challenges and collaborate fluidly with dialogue, effects, and score teams – bridging the gap between creative intention and technical execution. Whether adapting tempo maps for scoring sessions or navigating the complexities of music conforming during the final mix period, she brings clarity and cohesion to each phase of the workflow. Her ability to speak both the artistic and technical languages of post makes her an invaluable asset in high-stakes, collaborative environments.